Stomp Out Cosplay Bullying

Cosplay Bullying
Photography by Darren Allen

I’m adding my support to Cosplay Shout-Outs’ campaign to stomp out cosplay bullying.

I spent years telling myself that cosplay wasn’t for me. Long before I joined my first cosplay group or forum, I was aware of the bullying that comes from offering images of your work and yourself up to the web. So every time I envied the amazing cosplayers that I came across, I would remind myself that I was too old, completely the wrong body type and that my wheelchair would “ruin” everything. Wheeling around a convention at eye-level with most people’s belt buckles could never look as impressive as striding across the floor, sword in hand. I was quite sure that I would be opening myself up to nothing but ridicule and negativity – after all, if a person can receive the sort of hate that I’d seen online, just because they are considered too thin, too fat, too tall or too short for the character they’re cosplaying, what hope was there for me?

By chance I came across a supportive and encouraging group in autumn 2015, and I took my first real cosplay out last November. I’ve been fortunate enough to meet some incredibly creative and talented people, who have made me feel very welcome, and as a result I’ve had so much fun cosplaying these last ten months.

But although I’ve been fortunate to have experienced the best that the cosplay community has to offer, despite my fears, it saddens me that cosplay bullying is still such a problem. For every well-circulated incident that we see on social media, there are so many more that we never even hear about.

We’re all geeks in costume, celebrating our fandoms. We should be building each other up, offering encouragement and constructive feedback, sharing our skills and experiences, not ripping our comrades in arms to pieces.


Alistair’s Rose – quick craft


floral paper or parchment

I’ve already got several posts sitting in my drafts folder that need editing and finishing, but between the day job, events and costumes it’s been a busy month or so!  As I’ve spent all of my free time over the last few weeks working on Mahariel, when I decided I needed something quick and easy to get me away from the sewing machine for half an hour, I thought I’d try my hand at the gift received by the Warden if Alistair is romanced.


If you want to make your own, there are loads of instructional vids on YouTube.  This is the one I used in the end, and slightly modified the size and shape.  My original plan was to paint it a darker shade of red but I quite like the shades of pink I’ve ended up with, and to fit it to a long bobby pin to wear in my hair, but it’s a bit heavier and bulkier than I imagined so I think I may just fit a chenille stem and a couple of foam leaves.

Regalia of Weisshaupt – Part One

floral paper or parchment

I was more than a little bit apprehensive about putting together Mahariel’s armour – other than the scale maille, I haven’t had very much experience crafting with and painting foam, so it’s something of a relief to now have the most complicated part finished.

The Regalia of Weisshaupt armour, from Dragon Age II, has three slightly different designs depending on Hawke’s class.  A slightly updated version is seen in Inquisition – the armour worn by your Grey Warden contact looks like a cross between the rogue and warrior versions – but as my Mahariel is a rogue, I found it easier to screenshot reference pictures of the armour on Hawke.

The armour is listed as four separate components in game, which I broke down into the following pieces:

  • Warden Scout’s Cap: Hooded bolero jacket.
  • Warden Scout’s Tunic: Scale maille tabard; breastplate; tassets.
  • Warden Scout’s Gloves: Gauntlets and couters.
  • Warden Scout’s Boots: Gaiters and poleyns

Since I’ve just finished painting the breastplate, that’s where we’ll start…

floral paper or parchment

When I was putting together my references and writing up my shopping lists, I had planned to do all of the armoured pieces as Worbla over foam.  As it happened, I’ve not had time to play with the pieces of Worbla I bought a few months back, and I ended up just bodging it together.

The first piece I actually made was the griffon insignia and built the rest of the breastplate around it.  It wasn’t until I was ready to glue everything together that I found something I had missed in my reference pictures: the raised edge around the larger piece.  After spending a good ten minutes cursing the pictures, the computer and myself, I cut the extra pieces and layered it all up to see whether I needed to either cut a smaller pair of griffons or a taller base.  Then I decided I actually liked the effect of having the tips of the wings over the border, glued it all together and sealed it with a coat of clear glaze.

After first coat of glaze

After  gently heat-shaping the foam, I tied the corners together to support the shape and gave it another couple of coats of glaze.  I have loads of silver PlatiKote left from the scales, so I decided to use the spray for the base colour.

First spray
After two coats of silver PlastiKote

Once it was dry I thought it was much too shiny and “new” looking, and all of the creases and marks on the foam were suddenly glaringly obvious.  I made up a bucket of not-quite-gesso* and gave it two generous coats, which have left the breastplate pretty sturdy but it still has plenty of flex.

Second coat going on

* Not-Quite-Gesso

  • 1 part casting powder (I use Scola, which sets really quickly so I recommend making lots of small batches rather than making a whole bowlful at once)
  • 1 part PVA glue
  • 1 part warm water

Once it had set, I sanded it down (I definitely need to get a rotary tool!) and painted the front with black acrylic and PVA…

Breastplate - black primer

Then layered on the first coat of silver acrylic.

Breastplate - silver

I much preferred the acrylic paint to the PlastiKote.  Yes, it took significantly longer than the spray but I think the matte finish really suits the piece and it made weathering much easier.

Finished paintwork - flash
With flash
Finished paintwork
Without flash

I may find myself adding a little to the weathering over the next couple of days, and I still can’t decide whether I want to risk going overboard on it to work in some darkspawn blood before I seal it.  Other than that, the only job left for my breastplate is to fit all the straps and buckles!

Griffon Sigil

I felt the need to take a night off from scales yesterday (38 days until the Calling!) so I decided to make a draft attempt at the Grey Wardens’ griffon insignia, which will go on Mahariel’s breastplate.  It’s had a layer of glaze to give me a slightly firmer surface for scoring in the detail with my pyrography tool and then I’ll decide whether to build up a few more layers of glaze before painting it or whether to cover it in Worbla.  I’m leaning towards Worbla at the moment but as I’ve not done much in the way of detailed work with it, I’m not too confident about how well it will turn out.  But that’s the whole point of having a practise run – if it all goes horribly wrong, it’s not like I will have wasted a huge amount of resources on it.

I got a couple of pictures while the glaze was drying and I’m surprisingly pleased with how it looks.  I’ve stocked up on old cardboard boxes from the stock room at work, so I can begin working up the pattern for the breastplate itself, so it’s full steam ahead on the Hero of Ferelden!




Scale Maille – Part Four

It’s been a while since I did an update about Mahariel’s maille, so here it is!  I gave up a few weeks ago and decided to buy a plectrum punch, because cutting out individual scales was driving me round the bend and I lost count of the number of times I dislocated my thumb with the scissors.  The punch has done a damned amazing job and is only now, some 500 scales later, starting to lose its clean edge.

So far I’ve got seven strips done, in pairs.  I decided I didn’t want to run them all the way up to the shoulder from the hem because they would be incredibly bulky under my chest plate and jacket, hence the different lengths.  There’s 107 scales to go on the final length and then I can get on with priming and painting the rest of them.  If all goes well, I hope to have the bulk of the tabard done this week, so that I can spend some time sorting out the quilting and fitting pyramid studs for my jacket.  Only six weeks to go!

Scale 01

Scale Maille – Part Three

I’ve finally finished the first piece of scale maille for my tabard, so tomorrow I’ll make a start on painting it and see how it turns out.  I did initially start by painting the individual scales, but they were too light for my airbrush (even with Blutac on the underside to weigh them down!)  and I kept dropping them when I tried hand-painting so I decided to have a go at painting them once they were secured together.

Cutting the scales is the most tedious part but the knitting goes surprisingly quickly.  I’ve got about 2ft 3in of maille and the knitting has taken me about six hours.  Don’t ask how long cutting out all the scales took!


A number of people have asked for a guide to how I made it, so here’s my…

How to Knit Foam Scale Maille

I’m using A3 sheets of 2mm craft foam (about 80p each in HobbyCraft), 4.5mm needles and some navy blue yarn that I had left from an earlier project that’s a good match for my fabric.

I used an office holepunch for my first attempt at putting holes in the foam, but I found the scales weren’t really large enough to hide the hole and the yarn underneath, so I used my knitting needle instead to make a smaller hole, slightly further to the top.


The foam only needs a little bit of heat before it will hold a slight curve. The pattern is four repeating rows so, for the narrow width I wanted for the Regalia of Weisshaupt, I worked on just enough scales to do a few rows at a time.




As I want my maille to be narrow strips, I cast on seven stitches which has given me a width of two and a half inches. To give me a bit of length to secure the bottom of the strip to my tabard, I knit two rows before starting to add scales.

It’s ultimately a basic garter stitch with scales added every second row. You need two stitches to secure each scale, so the repeating pattern is:

  1. knit, scale, knit, scale, knit, scale, knit
  2. knit the whole row
  3. knit, knit, scale, knit, scale, knit, knit
  4. knit the whole row

Once the first stitch has been knitted, push the right needle through the next stitch as you would to make a new knit stitch, then slide a scale over the point, with the curve to the outside.  Loop the working yarn around the point of the right needle, then gently pull the needle tip and the working yarn back through the hole in the scale, and through the stitch on the left needle.  I found the foam ripped quite easily if I wasn’t careful here, so I lost a couple of scales while I found a technique that worked for me.  Secure the scale with the next stitch.

Once you reach the end of the first row (make sure it ends on a stitch, not a scale), knit the second row all the way across.  The third row will have scales on alternating stitches to row one, which gives the diagonal pattern.  Knit the first two stitches, then add a scale to the third.  Follow the pattern of scales and securing stitches until you reach the third stitch from the end of the row.  Add a scale to this one, secure with the next and add another knit stitch to finish the row.  Knit the entire fourth row.  Once four rows were done, I adjusted the scales slightly so that they lay how I wanted them.

That’s pretty much it.  Once you’ve reached the length you want, knit two rows before casting off.  The scales will move a little bit, so you can adjust them to sit neatly.

Painting begins tomorrow, so if it all goes horribly wrong I’ll have some pictures to share!


Make-up test: scars

After a Blight, battling the Archdemon and a decade of Grey Wardening, I thought that my Hero of Ferelden would probably have some interesting scars and some dramatic stories about where they came from.

It’s been a lot of years since I last did SFX stage make-up and back then, I would have spent hours painstakingly painting scars to make them look something vaguely like 3D.  While trying to work out a way that I could make scars work without having to get up at the crack of dawn to paint them, I came across Mehron’s rigid collodion and it’s become my favourite tool in my make-up box!


Mahariel's scar 01

Mahariel's scar 02

This scar will, eventually, bisect Mahariel’s vallaslin and end at my hairline.  I’m planning to make a start on vallaslin tests over the weekend (if I get time around finishing my first piece of scale maille!).